by Charles Sttross
Last of his Merchant Princes books, a 2010 work and not good enough for a shortlist. It's a decent work though, and a lot better than I was expecting. Regardless of diminished expectations it works fairly effectively, wrapping up plotlines on three worlds in an exciting manner. Elements of the main premise don't conclude so much as just stop and and the central character doesn't seem to react emotionally as much as would be effective, but it's a fairly well written, exciting and decently imaginative work. The setting works more than anything else, showing the intersection of different universes with a fast paced political thriller. The novel is at its best in exploring the messy incompleteness of revlutions, the way a righteous social turmoil doesn’t resolve all the foreign and domestic problems for a new regime. In an odd movement for the end of a series it’s some of the less complete elements that feel most satisfying, the open questions left as to what happens with the world, while the definitive deaths of several major villains is less satisfying.
One major demerit though is that, as with is previous Merchant Princes book and like Doctrow's Little Brother, Stross beats nuance over the head and makes his neocon villains over the top, mustache twirling evil. Here we have Cheney deliberately inciting a nuclear attack against the U.S to justify a massive retalitation, and it becomes too over the top evil, alienating itself from the possibility of serious political commentary. Although unlike Doctrow the regime isn't made drolling idiots as well, and are actually frighteningly dangerous. This makes a significant distinction, and it works pretty well to have a fantasy-like medieval setting fleeing the unstopable destructive dangerous force, which is the modern world with the neo-conservative trend writ large. All things considered I'm glad this series ended, and it did wind out a lot better than I'd feared.
Better than: The Revolution Business by Charles Stross
Worse than: Clans of the Alphane Moon by Philip K. Dick
Showing posts with label stross. Show all posts
Showing posts with label stross. Show all posts
Tuesday, June 29, 2010
Monday, June 28, 2010
Palimpsest
Charles Stross
Novella, on the shortlist for this year's Hugo. Basically a reimagining of Asimov's End of Eternity, except with a much larger timescale and depiction of the psychical control involved. The starting lines imagine an timetraveling organization acausal and reuthless enough to force recruits to murder their grandparent and wipe out their own personal timeline, then to go on serving them, and rolls from there. Huge amount of intrigue and big ideas tossed off here.
Certainly it’s not short in the department of striking ideas, but the characterization is quite flat, which is problematic given how much of the story hangs on the emotions and actions of the protagonist. I also felt the politics were a bit flat and rather unconvincing in some major ways, and there were elements of the grotesque put in without enough thought on the issue (for instance the whole literalization of the grandfather pardox discussed above.) Actually going with this as a policy makes a lot of the group too unwieldy to be really believed. Plus there's a lot of what I criticized above--a science fiction work interesting in reforming earlier works and winking to fandom instead of honestly exploring its main scenario.
Pretty sure this one won't get my vote for the Hugo, despite some interesting elements in construction.
Worse than: The End of Eternity by Issac Asimov
Better than: The Revolution Business by Charles Stross
Novella, on the shortlist for this year's Hugo. Basically a reimagining of Asimov's End of Eternity, except with a much larger timescale and depiction of the psychical control involved. The starting lines imagine an timetraveling organization acausal and reuthless enough to force recruits to murder their grandparent and wipe out their own personal timeline, then to go on serving them, and rolls from there. Huge amount of intrigue and big ideas tossed off here.
Certainly it’s not short in the department of striking ideas, but the characterization is quite flat, which is problematic given how much of the story hangs on the emotions and actions of the protagonist. I also felt the politics were a bit flat and rather unconvincing in some major ways, and there were elements of the grotesque put in without enough thought on the issue (for instance the whole literalization of the grandfather pardox discussed above.) Actually going with this as a policy makes a lot of the group too unwieldy to be really believed. Plus there's a lot of what I criticized above--a science fiction work interesting in reforming earlier works and winking to fandom instead of honestly exploring its main scenario.
Pretty sure this one won't get my vote for the Hugo, despite some interesting elements in construction.
Worse than: The End of Eternity by Issac Asimov
Better than: The Revolution Business by Charles Stross
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